Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no longer have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Origami facile
Kent du Pre has done such work with Bateau Papier Pliage Facile Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, nevertheless the most extreme form occur in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper cutting. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami fleur
Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the Avion En Papier Facile A Faire complexities of a model achieved exclusively by folding.
Fleur origami
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has been used and one can make certain of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at a Origami Flower Box Convention in Liverpool. Another method of wet moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and are approaching sculpture rather than Origami.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different shades. Origami Heart Dollar In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of papers each folded to symbolize some part of the animal and then brought together. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a monster from a number of squares of different sizes.
Comment faire un avion en papier
In the most extreme mixtures of water and papers Le Petit Bateau De Papier Chanson we are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe most basic step from a single colour is one side colored and one white or plain. A great offer of modern Origami intrusions this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers
which are already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and plainly here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form organic beef use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that We am familiar with is by Toyoaki Kawai.
No hay comentarios:
Publicar un comentario